Sony FX2 Might Redefine Compact Cinema Cameras—Here’s What’s Coming
Sony might be cooking up something exciting for filmmakers again. The FX2 hasn’t been officially announced yet, but the rumors are stacking up—and if even half of them are true, this camera could hit a really sweet spot for a lot of creators. Think of it as a sibling to the FX3, not a replacement, just a different flavor that leans a little more toward traditional filmmaking.
So what’s the big deal? For starters, it’s supposed to have the same 33MP full-frame sensor as the A7 IV and A7C II. That gives you plenty of resolution for sharp video, solid dynamic range, and flexibility if you want to crop or reframe. Plus, Sony’s AI autofocus chip is in there too, which means tracking subjects—whether you’re filming people, animals, or objects—should be smooth and accurate.
One of the more interesting details is the tilting electronic viewfinder. It’s got an eyecup and everything, which is kind of rare for this style of camera. It’s a nice touch for those of us who prefer shooting through a viewfinder rather than relying only on the back screen, especially when you’re working in bright sunlight or just want a more stable feel while handheld.
It also looks like Sony’s throwing in Super35 4K 60p recording—great for anyone who wants a slightly tighter field of view or is working with cinema lenses. On top of that, it’s rumored to record 32-bit float audio, which is a huge win for solo shooters or anyone who wants to clean up sound without stressing about peaking or levels while filming. Basically, it gives you a lot more wiggle room in post.
The body might be slightly thicker than the FX3, which could mean better cooling or extra ports, but overall, it’ll probably feel very familiar to folks already using Sony’s cinema gear. As for downsides? We don’t yet know if 4K 60p is limited to the Super35 crop or if there’s a full-frame option too—that could make a difference depending on how you shoot.
And then there’s the price, which is rumored to be around $3,500. That puts it right up against the FX3, so it’s fair to ask—who’s this for? Honestly, it sounds like the FX2 is aiming at filmmakers who want more pro video features (like that EVF and better audio) without stepping up to something massive or super expensive.
If all these leaks pan out, and especially if the launch really is happening on May 28th, the FX2 could be a go-to option for indie filmmakers, YouTubers leveling up, or anyone who wants a solid cinema tool without going full-on Hollywood.
Sony might be cooking up something exciting for filmmakers again. The FX2 hasn’t been officially announced yet, but the rumors are stacking up—and if even half of them are true, this camera could hit a really sweet spot for a lot of creators. Think of it as a sibling to the FX3, not a replacement, just a different flavor that leans a little more toward traditional filmmaking.
So what’s the big deal? For starters, it’s supposed to have the same 33MP full-frame sensor as the A7 IV and A7C II. That gives you plenty of resolution for sharp video, solid dynamic range, and flexibility if you want to crop or reframe. Plus, Sony’s AI autofocus chip is in there too, which means tracking subjects—whether you’re filming people, animals, or objects—should be smooth and accurate.
One of the more interesting details is the tilting electronic viewfinder. It’s got an eyecup and everything, which is kind of rare for this style of camera. It’s a nice touch for those of us who prefer shooting through a viewfinder rather than relying only on the back screen, especially when you’re working in bright sunlight or just want a more stable feel while handheld.
It also looks like Sony’s throwing in Super35 4K 60p recording—great for anyone who wants a slightly tighter field of view or is working with cinema lenses. On top of that, it’s rumored to record 32-bit float audio, which is a huge win for solo shooters or anyone who wants to clean up sound without stressing about peaking or levels while filming. Basically, it gives you a lot more wiggle room in post.
The body might be slightly thicker than the FX3, which could mean better cooling or extra ports, but overall, it’ll probably feel very familiar to folks already using Sony’s cinema gear. As for downsides? We don’t yet know if 4K 60p is limited to the Super35 crop or if there’s a full-frame option too—that could make a difference depending on how you shoot.
And then there’s the price, which is rumored to be around $3,500. That puts it right up against the FX3, so it’s fair to ask—who’s this for? Honestly, it sounds like the FX2 is aiming at filmmakers who want more pro video features (like that EVF and better audio) without stepping up to something massive or super expensive.
If all these leaks pan out, and especially if the launch really is happening on May 28th, the FX2 could be a go-to option for indie filmmakers, YouTubers leveling up, or anyone who wants a solid cinema tool without going full-on Hollywood.
Definitely one to keep an eye on.